The premiere in New York of this innovative camera opera, presented by Hispanic opera, combines music, dance and philosophical reflection to explore what makes us human in a world dominated by technology. Do not miss this unique experience on February 28 in National Sawdust.
An innovative camera opera in a world where artificial intelligence advances by leaps and bounds, the question “What does it mean to be human?” It resonates more force than ever. This question is Klara’s heart, a camera opera in four haikus that will be released in New York on February 28 in National Sawdust, Brooklyn. Presented by Hispanic opera, in collaboration with National Sawdust, Divaria Productions, Cuny City Tech and New York City Opera, this work promises to be an unmissable cultural event.
Klara, with music and lyrics by the renowned Spanish composer Pedro Halffter, is an artistic and philosophical reflection on the development of artificial intelligence and its impact on our society. The play, which has already been acclaimed in stages such as Harvard University and the Pérez Galdós Theater in Gran Canaria, arrives in New York to immerse the public in a unique sensory and emotional experience.
A fusion of art and technology
Directed by the acclaimed choreographer and director of Broadway Richard Stafford, Klara combines music, dance and theater to create a multidisciplinary show. Soprano Ashley Galvani Bell plays Klara, a character who embodies the intersection between the human and the artificial. Next to her, the dancers Laura Henning, Jordana Rosenberg and Amanda Lamotte give life to movements that explore the relationship between the body and the machine. The pianist Silvia Santinelli and Halffter himself to piano complete the cast, offering a score that ranges between the classic and the contemporary.
But Klara is not just a work of art; It is also a space for debate. Immediately after the function, a round table will be held with experts in artificial intelligence, philosophy and technology, including Professor Panos Mavromatis (Nyu), engineer Ludovic Righetti (Nyu) and religious leader Swami Sarvapriyananda. This dialogue promises to expand the conversation about how AI is transforming our society and our understanding of consciousness.
A legacy of innovation
Klara is part of the season of the tenth anniversary of National Sawdust, a space dedicated to the creation and presentation of new experimental works. This premiere reinforces the institution’s commitment to contemporary opera and its mission of expanding the operatic fee. In addition, it has the support of Spanish Cultural Action and Howard Gilman Foundation, which underlines its international relevance.
For Pedro Halffter, composer and director of the work, Klara is an opportunity to “explore the limits between the human and the artificial through music.” His career, which includes collaborations with orchestras such as the Berlin Philharmonic and the Real Theater in Madrid, guarantees a high -level artistic proposal.
An accessible experience
Inputs for Klara are priced at $ 40, with discounts available for students who use the Studentsatns Code. This inclusive approach reflects the Hispanic Opera Mission and National Sawdust to make opera and contemporary music accessible to all.
Why can’t you miss it?
In a city like New York, where art and innovation converge constantly, Klara stands out as a unique experience. Not only for its artistic quality, but also for its thematic relevance. At a time when artificial intelligence is redefining industries and challenging our notions of identity, this opera offers a deep and necessary reflection.
If you are an opera lover, technology or simply look for an enriching cultural experience, Klara is a must. Book your entry now in National Sawdust and prepare yourself to immerse yourself in a work that defies, inspires and moves. Take out your tickets at https://www.nationalsawdust.org/event/opera-hispanica-press-klara-2-28-25By: Nahuel Leto
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